Patterns   . . . of Power 09/09/25

Film Masters
Blu-ray

Is this writer Rod Serling’s best teleplay ever?  It’s almost too good for Serling, even. Van Heflin, Everett Sloane and Ed Begley are at the center of a business power squeeze, in a postwar business world with ruthless new rules. Is it all about staying competitive, or is it corporate murder?  With terrific early performances from Elizabeth Wilson and Beatrice Straight. Director Fielder Cook opens up his celebrated live TV production for the big screen. On Blu-ray from Film Masters.
09/09/25

CineSavant Column

Tuesday September 9, 2025

 

Hello!

Friend and correspondent Craig Reardon points out a link that will be important to fans of writer-director Billy Wilder: it’s a 52-minute behind the scenes documentary on the making of Wilder and Diamond’s  The Private Life of Sherlock Holmes.

Much of it is in the German language, but smart YouTube users know how to turn on the site’s automatic translating subtitles, which are rough but helpful. The translated title is “Billy Wilder: Report on a Hollywood Director.”

Wilder talks at length in very clear German; on the set he speaks English. The BTS material is fascinating. One scene covered is the deleted ‘Upside Down Room’ mystery — we witness Wilder’s actors as they concentrate to figure out what the heck he wants.    There’s a lot of genuine, funny work interplay between Wilder, Robert Stephens, Colin Blakely, Tamara Toumanova, and Clive Revill. Plus some nice music on the set!

I.A.L. Diamond gets a lot of attention as well; it’s really fascinating. They work in Hollywood and in Berlin. Warm-ups and dance rehearsals pre-filming look great, as does the action on Wilder’s giant London street set designed by Alexander Trauner — rows of giant façades in a big field. Why this movie was cut, and why its long version was not preserved, is a major Hollywood crime.

 

Billy Wilder: Bericht über einen Hollywood-Regisseur
 

 


 

From correspondent Michael McQuarrie and the Internet Archive come six minutes of House Un-American Activites Committee testimony from none other than Walt Disney. This happened on October 30, 1947.

Disney does not look happy to be in Washington, but neither does he put on a performance, or act conspiratorial. The newsreel cameraman skips some talk about the studio but captures Disney’s explanations about pressure from labor organizers, or racketeers, or as Disney says, communists. He complains that he was smeared in various periodicals, for not ‘cooperating’ with the Reds.

Disney was a ‘friendly witness,’ treated with deference and courtesy and not pressured or harassed. This  Encyclopedia.com page carries a full transcript of Disney’s testimony. Disney does name two names of people he believes to be communists. His strongest statement is to contrast communists and fascists with what he calls ‘100 percent Americans.’

Thanks to Michael Draine for important corrections, and a link to a ‘real’ full transcript of Disney’s testimony.

 

Walt Disney Testifies to HUAC
 

Thanks for reading! — Glenn Erickson

Saturday September 6, 2025

Aw, Professor Rath has a girlfriend!  She actually treats him fairly decently, if you ask me.

Saraband for Dead Lovers 09/06/25

Powerhouse Indicator
Blu-ray

A striking digital Technicolor restoration brings Ealing Films’ unique costume romance to vivid life. The tragedy of Princess Sophie Dorothea has a fine cast: Stewart Granger, Françoise Rosay, Frederick Valk, Peter Bull, Anthony Quayle, Michael Gough, Megs Jenkins, Miles Malleson, Guy Rolfe — plus superb work from ‘the voice’ Joan Greenwood, and a performance by Flora Robson that betters anything she did in Hollywood. The artful production is even stronger: Douglas Slocombe’s cinematography is as creative as that in Powell & Pressburger’s pictures. On Blu-ray from Powerhouse Indicator.
09/06/25

They Died with their Boots On 09/06/25

The Warner Archive Collection
Blu-ray

Whoa!  We saw this endlessly as kids and pretty much set it aside in favor of later revisionist westerns of the 1950s. Raoul Walsh’s pseudobio of George Armstrong Custer is nevertheless a stunning, action-filled epic with humor, romance and a smashing star performance by Errol Flynn. Olivia de Havilland bounces back as the faithful wife, in a production that gives Flynn exactly what he needs to maximize his appeal. The staging of the action is still breathtaking, and the digital restoration makes it look like it was filmed yesterday. Also starring Arthur Kennedy and Anthony Quinn. On Blu-ray from The Warner Archive Collection.
09/06/25

CineSavant Column

Saturday September 6, 2025

 

Hello!

A nice announcement from MVD today, on behalf of Arrow Films: back in the early 1980s this notorious art/violence film helped put Abel Ferrara on the map. His grunge horror Driller Killer never did much for me — I remember Sherman Torgan of the New Beverly asking me to justify its existence — but the edgy thriller Ms. 45 had just the right combination of exploitation elements. And Zoë Tamerlis was a hot item for a spell. Larry Cohen starred her in a murder mystery.

Why does it work?  We’re not sure. It’s an opportunistic thriller sensationalizing faux Feminism and offering a side order of rape, with the image of New York streets as a lawless hell. Its ugly revenge pitch is more like  Death Wish than  Taxi Driver.

Ferrara’s film became a minor emblem-of-its-time, like Slava Tsukerman’s  Liquid Sky. The print at the New Beverly was a mess, and it didn’t look much better when shown on The “Z” Channel. There must have been prior video releases but this the first I’ve been aware of. And in 4K !  At least it’s in 35mm. Actually, the quality in the promo clips is almost too good.

We don’t mind plugging it, FYI:

 

MS 45 4K
 

 


 

We’ve been trying to pry more column stories from the archive of friend Bill Shaffer.  An impressive film sales brochure in his collection provided a great launch for a colorful CineSavant article back in 2021,  Where Were You in ’62, A.I.P.?   Bill’s childhood was spent in Kansas, where his father managed movie theaters, and enjoyed a national reputation as a promoter and salesman for new features.

That experience created a giant ‘Shaffer’ repository of movie pressbooks, posters, and other errata related to exhibition, which Bill sometimes taps for us. We’re trying to get him to tell the story of his dad winning a 1956 exhibitor’s contest, where he was flown a publicity event with a big star; the episode is reportedly documented with stills and trade paper articles.

I of course have tried reader patience with an article about my entire upbringing on Air Force bases and their terrific repertory movie system, in this older article (that needs to be updated). We’re letting Bill slip through with this minor but telling memory from 67 years ago, when very young kids could do things like play in their front yards, wander freely on their bicycles and (gasp) see movies by themselves.

The little story brings to life a newspaper clipping Bill recovered, from a Sunday in August 1958. It makes me think that I could map out my young moviegoing life by going through microfilm back in the San Bernardino Sun-Times. Bill can’t be too much older than I was … I could attend shows alone because I lived on a ‘safe’ air base, while he, because of the family trade, had the run of more than one movie house in his home town.

How many ’50s kids had this same experience, more or less?

My Curse of the Demon story…

On August 10th, 1958, I was heading to downtown Hutchinson, Kansas with my dad. I had full intentions of seeing the sequel to The Curse of Frankenstein at my beloved Strand Theatre – the downtown grind house where all of the great B- thru Z- movies played. It was opening that afternoon and I’m pretty sure that was the day I went to see it. The attached newspaper clipping is exactly what I remembered seeing that day. My Dad’s office was in the Fox Theater, several blocks away. He had to open it for the Sunday show. That means that I was likely way early for the target double bill I wanted to see.

Once showtime hit, I dashed down to the Strand, tread lightly over the carpet strewn with popcorn and plopped down into my seat to watch the co-feature which was to come on first: Curse of the Demon. Just five minutes in, the fiery demon from Hell as big as a house scared the pooey out of me and I dashed for the exit!  Once daylight hit me and I was out in the open air, I made a beeline back to the Fox.

It was a very short afternoon of horror in Hutchinson. I totally missed my chance to see The Revenge of Frankenstein in a theater. It’s still my favorite Hammer Frankenstein film. In the years since, both movies have become favorites, but this is a confession of a kid who was only six years old. I figured sitting in a dark theatre with a snorting, burning demon at my back or on screen was not going to be my afternoon activity!    – – Bill Shaffer

Well, no boasting here, because I also remember the feeling of panic in a movie theater, all by myself. I was a couple of years older, too, when I barely made it through  Caltiki the Immortal Monster, both thrilled and scared to death. Wow, this double bill played in Hutchinson for ‘4 Big Days.’ The newspaper ad that Bill found came off microfilm, which accounts for the scratches. It can be enlarged, of course, to catch the small print, the misspellings, etc.

But Hey, the Strand Theater is already promoting Peter Cushing as a star, so the ‘grind house’ gets our vote. Bill says that his accompanying snapshot of him standing in the Fox Theater lobby    was taken a couple of years later, when he was much bigger. I’ll do my best to get Bill to unearth more interesting items from his archives.

 

Thanks for reading! — Glenn Erickson

Tuesday September 2, 2025

So who decided that the original, essential female spirit must always be malevolent, demonic?

Invasion USA  + Rocket Attack U.S.A. 09/02/25

Film Masters
Blu-ray

This atom fear thriller grabbed audiences by the Conelrads. Albert Zugsmith spun Cold War hysteria into gold with this cheap but effective exploitation of nuclear war jitters. For once it really happens — ‘unnamed enemies’ overrun America with atom bombs, parachuting troops into cities even as the bombs fall. The absurd script sees excellent work from Peggie Castle & Dan O’Herlihy, with special guest victims Phyllis Coates, Noel Neill and William Schallert. Get ready for a full-on 50-megaton onslaught of vicious stock film footage. The paranoia is contagious: “Bombs Ay-Vey!”  Also included: the sub-awful 1960 stinker Rocket Attack U.S.A.. On Blu-ray from Film Masters.
09/02/25

Lost in Space   — 4K 09/02/25

Arrow Video
4K Ultra HD

Irwin Allen started a franchise with his 1965 TV show: there has even been a second TV series with Parker Posey as Dr. Smith. This very, very expensive 1998 space opera must be the result of millions of hours of digital labor, as the whole thing is a digital effect just as CGI wiped out conventional optical effects. It’s ‘Star Wars’ but for the whole family, get it?  The old formula comes back with a massive production and a stellar cast: William Hurt, Mimi Rogers, Heather Graham, Gary Oldman, Matt LeBlanc and Jared Harris. It’s a 2-hour audiovisual barrage, and slightly less violent than the average space extravaganza. On Blu-ray from Arrow Video.
09/02/25

CineSavant Column

Tuesday September 2, 2025

 

Hello!

First note …. written Sunday morning. FYI,  Trailers from Hell was working on an access issue — the page was being rejected by some virus protection software. CineSavant heard from readers we didn’t know we had, who were blocked from reading reviews, and maybe the whole TFH page. That will hopefully have been fixed by Tuesday morning. Please write in if your software continues to block the way / be blocked.

 


 

Courtesy of Michael McQuarrie, here’s something fun from back in the day, created by a pair of over-achieving film students. It’s a 40-minute music & dance comedy about junior high school called, cleverly, Junior High School. It provided a solid career launch for its makers David Wechter and Mike Nankin, whose work we enjoyed at UCLA.

The sweet little item was designed to counter negative images of school life. It’s also the source of the almost-forgotten phrase ‘itty bitty titty committee,’ which has had a workout in various later comedies. It is also the first screen work of actor-dancer-choreographer Paula Abdul. It’s said to be a new encoding.

 

Junior High School
 

Also: This is even more of a must-see for us fans of Sci-fi. Wechter and Nankin brought down the house in UCLA’s Melnitz Hall, flooring us with what may have been the funniest student film ever:  Gravity.  It’s a satirical, not-quite-safe-for-work takeoff of condescending educational-instructional films.

 

Gravity  (1976)
 

 

 


 

And we’ve got one more last-minute announcement to make …

Just in time for Halloween, Studiocanal will release on Blu-ray a classic chiller long in need of restoration, Ealing Studio’s 1945 ghost story omnibus Dead of Night.

Assembled by four fine directors — Alberto Cavalcanti, Charles Crichton, Basil Dearden and Robert Hamer — Dead of Night is the granddaddy of spooky horror tales. Several are minor masterpieces, and even the comic story is good. The framing story to introduce the tales is truly macabre. It’s also a paradoxical time puzzle, far more mind-bending than we’d expect.

The capper episode starring Michael Redgrave is an all-time classic of psychological possession. The big surprise is that its 15 minutes distill the entire premise of Alfred Hitchcock’s  Psycho.  No joke.

A new 4K restoration is very much desired. The older discs we’ve seen all share a so-so image and frustratingly degraded audio. We’re hoping the restoration fully revives Ealing’s delicate soundtrack … the creepy little noises plus the powerful music score by Georges Auric.

Dead of Night arrives October 20. Details on the extras are viewable at the Amazon UK preorder page:

 

 

Dead of Night  80th Anniversary Collector’s Edition
 

We’ll see if the present world trade disruption interferes with global commerce. The discs must flow!

 

 

Thanks for reading! — Glenn Erickson

Saturday August 30, 2025

Starring Robert Duvall, Bill Murray & Sissy Spacek, this bit of drollery always gets me.

7 Women 08/30/25

The Warner Archive Collection
Blu-ray

Now back in a dazzling remaster, John Ford’s final feature is a ‘problematic masterpiece.’ The director reaches back to the expressionist 1930s for a grim tale of a Christian mission outpost overrun by savage bandits. His cranky traditionalism in this case sides 100% with core feminist values, thanks to Anne Bancroft’s sterling performance as an outspoken, unapologetic doctor banished to a Chinese backwater. The daring, uncompromising result may not please religious zealots or minority advocates. It’s a must-see, both for Ford advocates and for fans of Bancroft. At present, there’s an appeal for a restoration of the film’s longer version. On Blu-ray from The Warner Archive Collection.
08/30/25

Out of the Clouds 08/30/25

Powerhouse Indicator
Blu-ray

Aviation buffs will see plenty to admire in Basil Dearden’s drama of events at London’s Heathrow Airport. The show comes off as a low-stress precursor to our Airport, back when the notion of routine air travel was a glamorous and romantic novelty. It also functions as an institutional advert for British aviation and good PR for the shrinking Empire. Film fans not impressed by the simple & sincere personalities depicted may be tickled by the score of actors we associate with Ealing comedies and Hammer horrors. Anthony Steele and Robert Beatty are tame male leads, but there’s plenty of charisma with James Robertson Justice, Eunice Gayson, Gordon Harker, Bernard Lee, Marie Lohr, Abraham Sofaer, Melissa Stribling, Sidney James, Megs Jenkins and Katie Johnson. On Blu-ray from Powerhouse Indicator.
08/30/25

CineSavant Column

Saturday August 30, 2025

 

Hello!

An odd link courtesy of correspondent Lee Kaplan: It’s an embryonic film from director David Bradley, filmed when he was a teenager. To us UCLA film students Bradley was a classic cinema lecturer who brought in rare prints from his personal film collection, which was said to be enormous.

The outspoken Bradley had a peculiar film career. He self-produced two ‘cine-club’ features in the 1940s, both of which starred a very young Charlton Heston; he hung out in New York author and critic with James Agee. She somehow maneuvered himself into directing an MGM feature, an impressive feat. But his Hollywood legacy ended up hanging mostly on a trio of exploitation pictures, a juvenile delinquency tale, a lower-case Sci-fi, and the core crazoid Psychotronic effort  Madmen of Mandoras, later reconfigured as They Saved Hitler’s Brain.

This link goes to an excellent encoding of an amateur home movie epic Bradley made when he was 17 … he’s clearly trying to be professional, what with the neatly crafted intertitles — it’s his homemade version of a Mad Doctor movie.

 

David Bradley’s  Doctor X
 


 

After a  welcome announcement last month Severin Films and its top man David Gregory are making more news…

… the director’s Theatre of Horrors: The Sordid Story of Paris’ Grand Guignol will be given a grand premiere in Paris on September 6th. Narrated by Barbara Steele, the documentary charts the history and influence of the theater beyond its own macabre shows of cruelty and mutilation.

Barbara Steele is going to appear in person with Gregory at the premiere. It sounds like an epochal night in the history of horror — a feature devoted to the untold story of the weird, yet very mainstream theater, with an opportunity for Ms. Steele to bask in some well earned, much deserved adolation and accolades.

There’s more to the story … a full accounting of the event and Severin’s other recent surprises is at their website news page:

 

Severin Films: News
 

Thanks for reading! — Glenn Erickson

Tuesday August 26, 2025

A sentimental reminder of significant others that we knew were very wrong for us … but it didn’t matter!

Mr. Peabody & Sherman: The Complete Collection 08/26/25

Universal
DVD

You’ve got EVERY episode?  Strap yourself into the WABAC Machine, because a brainy dog and his human pal are going into the past. It’s Mr. Peabody’s Improbable History: 91 excursions into the 4th Dimension, to learn about old civilizations and important personages. It’s like Rocky & Bullwinkle, but educational, sort of. The whole kerfluffle is clumped together in one DVD set, reviewed with aplomb by dapper Charlie Largent. Some of the historical facts are correct, too!  Our favorite bit is the opening, a reverse on sentimental fluff for kids — an academically illustrious dog adopts an ordinary boy. On DVD from Universal.
08/27/25

Sense and Sensibility  — 4K 08/26/25

Sony
4K Ultra HD + Digital

Emma Thompson and Kate Winslet shine as Jane Austen heroines that endeavor to maintain their composure while swooning over the highly eligible swains Hugh Grant and Alan Rickman. Please don’t tell us that nobody got along on this production, because the result seems all so pleasant. Emma Thompson’s adaptation could hardly be improved, and Ang Lee’s gentle direction is exemplary, and. This 1812 version of a modern pop romance still works because we can identify with Austen’s vivid characters; a terrific production doesn’t hurt either. On 4K Ultra HD + Digital from Sony.
08/27/25

CineSavant Column

Tuesday August 26, 2025

 

Hello!

First up from Michael McQuarrie is a 1980 educational film about a kids with socializing problems, Why Is It Always Me?  We’re more accustomed to vintage educational pictures that are either depressingly clueless or unintentionally hilarious.

The interesting factor is that the star of this thing is the very photogenic John Cusack. The show tries too much and is still painfully square, but Cusack looks ready for anything. He’s not exactly the great actor yet, but he gives everything that’s needed.  Despite the haircut they’ve given him.

Gee, we wonder if some filmmaker could find a way to integrate these shots as flashbacks in a new movie …

 

Why Is It Always Me?
 


 

Plus, this was first posted on Sunday … and is thus a repeat:

 

 

We have a quick note to add here at CineSavant to mark a milestone …. it was ten years ago that the old DVD Savant page migrated to guest status at Trailers from Hell. After 15 years with various hosts, TFH came through with an ideal arrangement.

The first ‘Savant’ review up at TFH was Mad Max; Fury Road, which was accompanied by a nice note from TFH welcoming ‘DVD Savant’ into the fold: August 24, 2015.

Friend Stuart Galbraith IV came to the rescue back then too, letting me post a few weeks of reviews on his page when posting at DVD Talk was no longer possible. At this link to the DVD Savant Column for August, 2015, one can read some of my concern, wondering what was happening at DVD Talk. Then, on August 25’s Column, I was able to to make the announcement … “The vaunted Trailers from Hell page has stepped up and offered to guest-host DVD Savant while waiting for DVDtalk to renew access to the site. This is fun, being handed from one gracious group of online entrepreneurs to another.”

The temporary situation soon became more permanent, more than just a place to post reviews. When TFH scheduled a website facelift for itself, they offered to design a new independent web page for me, to be the home of the ‘new’ DVD Savant. I don’t recall the changeover very clearly, but the first actual CineSavant Column appears to have arrived on  July 4th, 2017. It looks pretty plain-wrap to me now. After getting some bugs worked out and the column format nailed down, I see I made an announcement on  September 16, 2017. By this time we had the linking picture at the top of the Column, etcetera. Charlie Largent created the logos for CineSavant, which I think are beauties.

Anyway, the ten years has been a smooth ride. Contributing reviewer Charlie Largent has been contributing reviews here for over eight years, and we’ve had a lot of input from the UK’s Lee Broughton as well.

Thanks for reading, and for all the correspondence, which has taught me so much. We couldn’t pass up this Anniversary without saying something.

 

Cheers and best, Glenn Erickson

 

Ten Year Anniversary, CineSavant + Trailers from Hell

Sunday August 24, 2025

 

Hello from Glenn Erickson:

We have a quick note to add here at CineSavant today to mark a milestone …. it was ten years ago that the old DVD Savant page migrated to guest status at Trailers from Hell. After 15 years with various hosts, TFH came through with an ideal arrangement.

The first ‘Savant’ review up at TFH was Mad Max; Fury Road, which was accompanied by a nice note from TFH welcoming ‘DVD Savant’ into the fold: August 24, 2015.

Friend Stuart Galbraith IV came to the rescue back then too, letting me post a few weeks of reviews on his page when posting at DVD Talk was no longer possible. At this link to the DVD Savant Column for August, 2015, one can read some of my concern, wondering what was happening at DVD Talk. Then, on August 25’s Column, I was able to to make the announcement … “The vaunted Trailers from Hell page has stepped up and offered to guest-host DVD Savant while waiting for DVDtalk to renew access to the site. This is fun, being handed from one gracious group of online entrepreneurs to another.”

The temporary situation soon became more permanent, more than just a place to post reviews. When TFH scheduled a website facelift for itself, they offered to design a new independent web page for me, to be the home of the ‘new’ DVD Savant. I don’t recall the changeover very clearly, but the first actual CineSavant Column appears to have arrived on  July 4th, 2017. It looks pretty plain-wrap to me now. After getting some bugs worked out and the column format nailed down, I see I made an announcement on  September 16, 2017. By this time we had the linking picture at the top of the Column, et cetera. Charlie Largent created the logos for CineSavant, which I think are beauties.

Anyway, the ten years has been a smooth ride. Contributing reviewer Charlie Largent has been contributing reviews here for over eight years, and we’ve had a lot of input from the UK’s Lee Broughton as well.

Thanks for reading, and for all the correspondence, which has taught me so much. We couldn’t pass up this Anniversary without saying something! Cheers and best, Glenn Erickson

 

Saturday August 23, 2025

It’s The Fall of an Empire —  Coming Soon to an American city near you!