The Return of Doctor X 12/07/24

The Warner Archive Collection
Blu-ray

Distasteful medical horror gets a trial run as lightweight thriller fare in Warners’ genre catch-all about ‘artificial blood’ that can raise the dead. Did Warners use this show to test contract talent for loyalty & obedience?  Young leads Wayne Morris and Dennis Morgan are also the comic relief, Rosemary Lane looks pretty, and none other than Humphrey Bogart is Marshall Quesne, a sort-of Zombie, with a hair-do fit for the son of the Bride of Frankenstein. Charlie Largent performs the transfusion Blu-ray review. The new restoration is dazzling. On Blu-ray from The Warner Archive Collection.
12/07/24

CineSavant Column

Saturday December 7, 2024

 

Hello!

We love those old Youtube films that are simply moving car POVs on Los Angeles streets, back in the ’40s, ’50s and ’60s. We’ve found out that most are from the Rick Prelinger collection, and were filmed to be ‘process plates’ for rear projection work, to represent the view outside the back of taxis, etc.. Sometimes the time and places of the shots aren’t well identified, which encourages us to look for key visual cues. The easiest are movie marquees, which place a shoot at a specific address, and around a particular time.

This  Downtown Los Angeles take just above must be from 1950, because the Warner Theater is showing  Young Man with a Horn. The colorized images have a lot of detail, and can be enlarged.

 

We’ve shown this  Sunset Blvd. shot before, but now it’s interrupted with recent modern comparison angles. The Oriental Theater was a ‘nabe’ house that played second-run movies; the  Singin’ in the Rain marquee — and the shadows — indicate that this is probably the summer of 1952.

 

And this series of angles on Wilshire Blvd. must be from 1951, as the El Rey theater is showing The Frogmen. Film takes going both ways on Wilshire also show the fancy May Company building, but the L.A. County Museum complex is still in the future. The La Brea tar pits are hidden behind landscaping greenery. I don’t know exactly what year they constructed the decorative Mastodons, etc., in the tar pools. We see the famous big billboards on Wilshire, including one advertising bomb shelters.

 


 

The dependable Gary Teetzel provides a link to an interesting collector’s page specializing in the old glass advertising slides once used to promote movies. As recently as the 1970s, local theaters used slide projectors between shows to screen still images promoting local businesses, charity events, etc.. These collectors dote on the original glass slides used, we are told, from the ‘teens almost to the end of the 1950s. CineSavant has reviewed three of the four silent features pictured.

The page is called    Starts Thursday! Cinema Slide Archive.

 


 

And finally, thanks to a Youtube link provided by David Schow, there is now a convenient way to see the original three-hour

Quatermass II.

It’s not the superb 1957 Hammer film  Quatermass 2, but the original 1955 BBC TV serial, part video, part film and all kinescoped. Quatermass is the creation of writer Nigel Kneale; the good professor in this 6-part miniseries is played by John Robinson. The serial has more characters than the feature version and a few more story diversions, plus an extended ending that resolves the conflict in outer space orbit. Don’t expect high production values. The BBC sets were tiny and the visuals can be crude. It’s Kneale’s inventive storytelling and skilled dialogue that we celebrate.

Keen Quatermass fans note that this original teleplay has the ‘picnic’ scene that ends with a machine-gunned car being towed back into the alien chemical plant. The scene was cut from the Hammer version, but if you look closely, there is still a brief glimpse of the wrecked car being towed into the plant.

The BBC begins an episode with a veddy polite warning that its contents might be disturbing to nervous people. For title music, the show makes excellent use of ‘Mars’ from Holst’s The Planets. Enjoy some seminal High Concept Sci-fi !

Thanks for reading! — Glenn Erickson

Tuesday December 3, 2024

The message is ‘if you want to fly, get plastered’ … but this big little guy still breaks our hearts.

Little Women — 4K  (1994) 12/03/24

Sony Home Entertainment
4K Ultra HD + Digital

This Winona Ryder version of Alcott’s venerated page-turner is the most satisfying to date, as adapted by Robin Swicord, directed by Gillian Armstrong and embodied by an ideal cast: Gabriel Byrne, Trini Alvarado, Christian Bale, Claire Danes, Susan Sarandon, Eric Stoltz, plus Kirsten Dunst and Samantha Mathis sharing a character between them. The show looks and sounds fantastic in remastered 4K Ultra HD. It’s not all smiley faces as on the box top; in this case great entertainment just happens to be family friendly. It’s an excellent Christmas story, as well. On 4K Ultra HD + Digital from Sony Home Entertainment.
12/03/24

CineSavant Column

Tuesday December 3, 2024

 

Hello!

Yep, one review and no apologies … it was a nice break.

CineSavant correspondent Lee Kaplan sent in this photo posted by Tim Mitchell on Facebook. Special effects shots from John Huston’s  ’56 Moby Dick aren’t common, and this is one I’ve never seen.  (It enlarges.)

The production company tried to shoot a lot of whale effects at sea, which reportedly led to a few disasters. They towed a giant whale mockup out to deep water, where it promptly sank like a rock and couldn’t be retrieved.

Mr. Mitchell identifies this photo as from Elstree studios. I thought the white whale mockup was terrific.  Could we also be looking at a dim image on a rear-projection screen?

I’ve always liked the Moby Dick effects. On a big screen they’re as impactful as Spielberg’s shark — and just as believable … and I think the Spielberg shark is just fine, too.

 


 

And we have to hand it to Michael McQuarrie for this one: the Something Weird folk have an entire Youtube Channel posted with plenty of short subjects and feature films to rot one’s brain. The instructional and educational pictures are usually a riot, and the exploitative features are often real mystery items.

There is a lot of content here … don’t warp your brain too badly. I see that a lot of it has been up forever … which goes to show how current we are with these things.

SomethingWeirdDotCom
Thanks for reading! — Glenn Erickson

Saturday November 30, 2024

The movies couldn’t find enough worthy roles for this talented, energetic, BIG personality.

Galaxy Quest 4K 11/30/24

Paramount Home Entertainment
4K Ultra HD + Digital

Never give up, never surrender!  A comic spoof of Star Trek and Trekkie worship does not sound promising, but this bright and funny space adventure is enlivened by an able cast — Tim Allen, Sigourney Weaver, Alan Rickman, Tony Shalhoub, Sam Rockwell and Daryl Mitchell. Especially good are the goofy aliens that need help in a galactic war – interpreted by Enrico Colantoni and smartly performed by Colantoni, Missi Pyle and Rainn Wilson. The movie is kind to fan convention culture, too. On 4K Ultra HD + Digital (no Blu-ray this particular package) from Paramount Home Entertainment.
11/30/24

Top Cat — the Complete Series 11/30/24

The Warner Archive Collection
Blu-ray

Back in the 5th grade we had never heard of Damon Runyon, whose spirit animates Hanna-Barbera’s second network TV show. Reviewer Charlie Largent jumps into the one-season-wonder’s 30 episodes, all fully remastered from 4K scans. There’s this laid-back con-man cat named T.C., see, and his back-alley associates Benny the Ball, Choo Choo, Spook, The Brain and Fancy Fancy. Believe it or not, it was a big deal in the fourth grade, even though all I can remember is the theme music. On Blu-ray from The Warner Archive Collection.
11/30/24

CineSavant Column

Saturday November 30, 2024

 

Hello!

There’s nothing better than a vintage space item to brighten spirits, especially one we’ve never heard of before. This Youtube post has been up about a month — an episode of a 1959 TV show called  Flight, produced at MGM by Robert Stillman. The one-season series’ 38 episodes dramatized military aviation stories … all but the final show, which appears to have co-opted an unsold science fiction pilot by special effects and sci-fi experts Jack Rabin and Irving Block. Their colleague Louis DeWitt is in on the deal as well.

It’s about a rocketship crash on a planetoid; officers from a space station effect a rescue. Fans of  Forbidden Planet will note the use of futuristic hardware from both Altair-4 and the C-57D; a planetscape uses the giant Altair-4 cyclorama. The director is the busy Boris Sagal, and the one familiar actor is Robert Fuller. Block and Rabin’s one-shot TV company has its own logo, ‘Raylock Productions.’

 

Outpost in Space
 


 

Just posted at Trailers from Hell, is Daniel Kremer’s feature length editorial mashup that takes Stanley Kramer’s It’s a Mad, Mad, Mad, Mad, World and Michelangelo Antonioni’s Zabriskie Point and … and …. , well, take a look and see.

Maybe it’s an interior study — it pulls in a lot more than those two movies. It’s only been up two days. That’s a record here … I’m usually reporting on items much less fresh:

 

It’s a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point
 

CineSavant reviews for both source movies:    Zabriskie,    Mad x 4

Thanks for reading! — Glenn Erickson

Tuesday November 26, 2024

When we were kids Mari Blanchard, Jean Willes, Anita Ekberg et al. were just a distraction.

Nothing is Sacred: Three Heresies by Luis Buñuel 11/26/24

Radiance Films
Blu-ray

Three Buñuel masterpieces arrive in remastered Blu-ray presentations, accompanied by excellent new extras. The Exterminating Angel clobbers elitist complacency. The irreverent Simon of the Desert skewers the notion of blessed martyrdom. Viridiana is the shocker that gave Franco’s Spain a slap in the face — and it’s here in a much improved video transfer. Among the new goodies are a commentary from Michael Brooke and video intros from Richard Ayoade, Alex Cox, Guillermo del Toro, and Lulu Wang. On Blu-ray from Radiance.
11/26/24

Paper Moon — 4K 11/26/24

The Criterion Collection
4K Ultra HD + Blu-ray

It’s a seriocomic fable from the Great Depression: Ryan O’Neal’s Moses Pray runs a predatory racket hawking expensive Bibles, and the only one to see through the con is the orphan Addie Loggins, played by O’Neal’s own daughter. What could have been a big casting mistake is a sensation — Tatum O’Neal carries the movie and then some. Peter Bogdanovich’s most endearing picture won over the 1973 audience despite being in B&W, to better resemble a show from 40 years before. Production designer and co-everything Polly Platt recreates the visual look of the past as seen in John Ford films. On 4K Ultra HD + Blu-ray from The Criterion Collection.
11/26/24

CineSavant Column

Tuesday November 26, 2024

Hello!

Thanksgiving approaches … but we think CineSavant will have a review or two up for Saturday . . .

Here’s something that was up less than a mile from CineSavant Central, that I didn’t know about until a friend from the Midwest sent me a photo, taken by Richard Cordero

Last week the movie Gladiator II premiered at Grauman’s Chinese, and the theater’s famed forecourt was adorned with this temp construction as a promotion … kind of like the giant bust of King Kong that was placed there for the ticket buyers to gawk at, 91 years ago.

It’s the only photo provided — it’s clearly a mockup of the curved front wall of the Coliseum, possibly something used in the film shoot. The angle isn’t great, but from what I can see it’s at least 3 stories tall.

Oh, here we go with some  Fox video coverage and an  MSN piece. The things that happen in one’s neighborhood that pass us right by.

 


 

And since I know that some of my readers are the type to respond to Kickstarter-like promotions, I direct interested parties to Milestone Films’ page looking for help to restore missing movies. Their pitch begins this way:

“Movie audiences are being told that streaming has made the entire history of cinema available for a simple subscription fee — or at least a couple of dozen subscription fees. This is not true.”
The “Missing Movies” organization exists to find and recover movies that are unavailable for any number of reasons — researching rights, locating elements, finding ways to make restorations happen.

It’s explained better at the website, and some incentives are explained there as well!  Now go rescue  A Flash of Green and restore  Blood and Roses !

The link:

Missing Movies
 

Thanks for reading! — Glenn Erickson

Saturday November 23, 2024

If young people didn’t drink coffee in 1990, they did after this show.

The Walking Dead (1936) 11/23/24

The Warner Archive Collection
Blu-ray

The Dead Walk — and accuse!  One of the best non-classic horror films of the ’30s is a polished production: Michael Curtiz and cameraman Hal Mohr give star Boris Karloff a spooky spotlight for a macabre tale of justice from beyond the grave. Karloff is brilliant as an executed convict resurrected by science, who becomes an avenging angel against the crooks that framed him. The glossy new video remaster is sourced from the film’s original nitrate — and looks it. Also starring Ricardo Cortez, Edmund Gwenn and Barton MacLane. On Blu-ray from The Warner Archive Collection.
11/23/24

Funny Girl — 4K 11/23/24

The Criterion Collection
4K Ultra HD + Blu-ray

Barbra Streisand’s movie debut takes a slot in the Criterion Collection, and jumps to 4K Ultra HD. Opened up from Broadway and slimmed down to focus on its incandescent star, it persists as a superior musical, alternately funny and touching. Streisand showed can’t-lose intuition when it came to the big decisions: knowing that her emotional singing style would be flattened by lip-sync to a pre-recorded track, the finale partly records a direct performance. Barbra came across as The Real Deal, up close and personal; audiences continue to be riveted by her. On 4K Ultra HD + Blu-ray from The Criterion Collection.
11/23/24

CineSavant Column

Saturday November 23, 2024

 

Hello!

Two years ago, Arrow USA broke the ice on definitive Blu-rays of vintage Hong Kong martial arts cinema — we reviewed a novelty Sci-fi feature that was nested among its various Chinese mini-epics, in an enormous, gloriously appointed gift box release decorated with the spangled ‘Shawscope’ logo.

Two more Volumes down the line brings us box three, well-timed for people needing gifts for Hong Kong- crazy film fans. We plug it because, well, products like this show the Blu-ray biz at its most inventive.

To this viewer Hong Kong action cinema is a blur. If I read the pub blurbs correctly, the fourteen features herein focus on the wuxia pian, which blends the styles of Italo westerns and Japanese samurai pictures. — the comprehensive extras and analysis describe a movement with changing themes. This is the place to see the core pictures and read about ‘the sweeping stylistic evolution of the genre,’ from ‘righteous stoicism’ to ‘wild-and-weird anarchism.’

As before, the oversized box is ideal for coffee table display. The extras look authoritative to me. I even note the presence of an exclusive music CD with ‘De Wolfe Music Library’ cues that show up in Hong Kong pictures. What?  Which are the pictures that simply swipe well-known music from big movies?

Get ready for a One-Armed Swordsman trilogy, fighting swordswomen, and enticing titles like Killer Constable and Bastard Swordsman.

 

Shawscope Volume 3 Limited Edition
 


 

It looks like videos on Internet Archive are up and running again, because correspondent Michael McQuarrie has a couple of new finds for us. This first item is a highway safety film from the U.S. Department of Health, Education and Welfare.

With his solemn charm, favorite Raymond Burr delivers the intro, ending with an ominous read of the film’s title that has ‘another take, please’ written all over it. We’re shown an emergency room with artfully composed dramatic inserts of fancy medical equipment. The concerned surgeon, his voice crudely dubbed, reveals the cure for all the bloody havoc: seat belts!

An Our Town- like narrator welcomes us to a peaceful but woefully complacent American dawn. The surgeon reads off a list of auto death statistics, converted into dialogue. We see crash test footage from UCLA … it’s interesting that 1961 audiences, not yet jaded by 24-7 movie automobile mayhem, were probably fascinated by the slow-motion collisions.

Anybody recognize the main surgeon-spokesman?

 

Interrupted Morning
 


 

Much more problematical is a series of four Atomic War! comic books from 1952. They’re basically standard war comics, except millions die. Dauntless SAC pilots and vigilant generals make sure that the USSR gets a proper pasting … after the U.S. is itself annihilated.

The comics revel in ‘imagination of disaster’ views of cities A-bombed. The commies somehow place a sabotage agent right in our missile command room!  Cattle run for their lives from the Chicago stockyards!  Sidebar stories assure us that Berlin, the Far North, everywhere, actually, will become an atomic battlefield.

The level of Death Wish Hysteria in these insane pages is depressing. Did Stanley Kubrick see and ponder these comics?

 

Atomic War!
 

 

Thanks for reading! — Glenn Erickson

Tuesday November 19, 2024

Hammer bosomania meets historical horror. Mixed signals?  

El Vampiro: Two Bloodsucking Tales from Mexico 11/19/24

Powerhouse Indicator
Region Free Blu-ray

This fanged Drácula Mexicano predates Christopher Lee!  Germán Robles cuts an aristocratic profile as Count Karol de Lavud, vampiro extraordinario, in two films that marked Mexico’s full embrace of traditional gothic horror. Before masked wrestlers, Aztec mummies and baggy pant comedians took over, director Fernando Méndez styled the genre after the Universal tradition. The research in the disc’s extras — thank you Jesús Palacios, Eduardo de la Vega Alfaro & Carmen Serrano — opens new veins of thought in horror movie history. Charlie Largent reviews El vampiro and its followup El ataud del vampiro — and survives.  On Region Free Blu-ray from Powerhouse Indicator.
11/19/24

The Proud and Profane 11/19/24

KL Studio Classics
Blu-ray

Deborah Kerr shines as an emotionally troubled war widow who volunteers to do Red Cross work in the Pacific Theater of WW2. William Holden is the he-bull Marine colonel who claims her almost as a right of rank. Not a combat film, it’s nevertheless a polished production with a gallery of fine acting support — all somewhat hampered by so-so direction and a script that opts for ‘easy out’ solutions to sticky emotional problems. Another VistaVision winner in a sterling presentation. On Blu-ray from KL Studio Classics.
11/19/24