CineSavant Special Announcement

Monday September 15, 2025

 

Hello!

Yes, CineSavant usually doesn’t post on Mondays. The  CineSavant Reviews will continue, but the CineSavant Page is going dark for a few days.  The same thing happened last April. It’s nothing sinister, negative, or suchlike, so no need for concern.

New reviews will still be posted at Trailers from Hell on the normal days Tuesday and Saturday. It’s just that they won’t be promoted here or on my Facebook page for a couple of spins of the wheel.

The place to check on Tuesday and Thursday will be my CineSavant Archives Page at Trailers from Hell. Every new review posted shows up there instanfry . . . indstilly . . . right away. In other words, a new review should be up some time tomorrow, Tuesday the 16th.

Sorry for the break. DVD Savant and CineSavant have been up for 25 years and 4 months without a whole lotta interruptions. Not that we can’t be tempted away . . .

Watch this space too. The CineSavant Column will be back very soon.

Our custom for these breaks is to invite our old friend Sierra Charriba   to step in and say a few friendly, reassuring words. He’s too busy burning and pillaging right now to make a personal appearance, but he did say I could convey a message to all readers that dare set foot on his land, which he reminds us is 3 times the size of Texas.

Charriba was again fairly aggressive, confrontational:

 

CineSavant will be back!   Who you send against me now?”

 

CineSavant Archives Page (to see new reviews)
 

Thanks for reading! — Glenn Erickson

Saturday September 13, 2025

You want to waste our beloved ‘titans of terror’ as spooky support for Kay Kyser?  Next idea please.

Get Carter  — 4K 09/13/25

The Warner Archive Collection
4K Ultra HD

Crime movies have grown a lot more vicious since 1971, but few pack the hard crime impact of Mike Hodges’ gangster revenge tale. Michael Caine’s Jack Carter is a London hit man who returns to his roots in Newcastle, to sort out the sudden death of his brother. It leads to the expected trail of dead bodies, as Carter out-maneuvers the Northern hoods at their own game. The sordid context and grisly mayhem intensify going forward; Caine strips the glamour from his star persona and lets the bad times roll. Also starring Ian Hendry, Britt Ekland, John Osborne and Tony Beckley, speaking in authentic regional accents. On 4K Ultra HD + Blu-ray from The Warner Archive Collection.
09/13/25

Airport  — 4K 09/13/25

KL Studio Classics
4K Ultra HD + Blu-ray

The blizzard looks real and the big stars are flashy, but Ross Hunter’s 70mm ode to supermarket best sellers still plays like a TV movie. Both airport manager Burt Lancaster and pilot Dean Martin are straying from their marriages, with Jean Seberg (sigh!) and Jacqueline Bisset (wow!). But the direction dotes on cute geriatric stowaway Helen Hayes, mad bomber Van Heflin and crusty facilities troubleshooter George Kennedy. The screenplay sings the praises of American know-how and Boeing aircraft in particular. The biggest trauma for today’s audience is looking back at 1970’s wholesome in-flight meals and the spacious seating in coach! On 4K Ultra HD + Blu-ray from KL Studio Classics.
09/13/25

CineSavant Column

Saturday September 13, 2025

 

Hello!

A link offered by Joe Dante for another subject led us to this weird little animated cartoon that keys right into the Hollywood blacklist years. It was made in 1945 by the newly formed UPA, just as the war was ending. The director is Robert Cannon, who animated for all the great cartoon directors. He co-founded UPA and would direct many of its classy short subjects.

Brotherhood of Man is an early UPA cartoon that attracted a lot of unnecessary controversy: say something publicly that smacks of good will toward men, and you’ll draw political fire. T’was ever thus: the same year saw Frank Sinatra push through the production of a musical short subject promoting race and ethnic tolerance, Mervyn LeRoy and Albert Maltz’s  The House I Live In. All Frank does is sing a song encouraging some street kids to not discriminate, but it became ‘controversial’ anyway.

Brotherhood carries some credits that would would ring alert bells with the HUAC. One writer was the Hollyood Ten member Ring Lardner Jr.. Animator-designer and fellow blacklistee John Hubley is in the credits too. Art designer Paul Julian should be known to fans of the fantastic; besides working as an animator (as on  The Tell-Tale Heart) and painting on his own, he created a number of dramatic title sequences for Roger Corman.

The good ‘Animation Obsessive’ article  The Left Orientation has more background on the ‘dangerous’ cartoon. Imagine, saying that people of all races deserve a level playing field for employment and professions.

 

Brotherhood of Man
 

And don’t forget  J. Pierrepont Finch’s take on The Brotherhood of Man, too. The song has a satirical bite … success depends on Who Ya Know, Baby.

 


 

Then, from Gary Teetzel comes a strange variety show clip, from 1969.

Johnny Cash and activist folk singer Odetta sit on a TV stage, exchange some limp ‘intro’ talk, and launch into the Ballad of the Hammonds, the eerie song from Val Lewton’s  I Walked with a Zombie.

Written by calypso singer Sir Lancelot, the ballad pre-existed the movie, with different lyrics and a different theme. In the movie, it’s used as a passive-aggressive weapon against the white owners of the Island of San Sebastian, a protest song criticizing the scandal in the Hammond Family.

Other lyrics were used when various artists covered the song, but for reasons unknown Johnny Cash and Odetta stick very close to the text used in the movie, without explanation.

Maybe the show came together really quickly … we just never expected Johnny Cash to sing a song from a Val Lewton movie. Maybe he and Odetta took a liking to the “Ah woe, ah Me!” lyric. Maybe they were stumped for a song and took a break to watch a horror movie on TV!

 

Shame and Sorrow for the Family
 

Thanks for reading! — Glenn Erickson

Tuesday September 9, 2025

September 20, 1926. The Hawthorne Inn, 3434 N. Broadway, Chicago.

Four Sided Triangle 09/09/25

Hammer Films
4K Ultra HD + Blu-ray

Hammer Films’ Terence Fisher tries on a human duplication tale, and his chosen human duplicatee happens to be the notorious Hollywood star Barbara Payton. Charlie Largent reviews the recent monster special edition box with all its bells and whistles; we just want to know why Payton would worry about choosing between Stephen Murray and John van Eyssen. Surely she really wanted Dirk Bogarde. You can’t give a minor Sci-fi tale a better showcase than this. On 4K Ultra HD + Blu-ray from Hammer.
09/09/25

Patterns   . . . of Power 09/09/25

Film Masters
Blu-ray

Is this writer Rod Serling’s best teleplay ever?  It’s almost too good for Serling, even. Van Heflin, Everett Sloane and Ed Begley are at the center of a business power squeeze, in a postwar business world with ruthless new rules. Is it all about staying competitive, or is it corporate murder?  With terrific early performances from Elizabeth Wilson and Beatrice Straight. Director Fielder Cook opens up his celebrated live TV production for the big screen. On Blu-ray from Film Masters.
09/09/25

CineSavant Column

Tuesday September 9, 2025

 

Hello!

Friend and correspondent Craig Reardon points out a link that will be important to fans of writer-director Billy Wilder: it’s a 52-minute behind the scenes documentary on the making of Wilder and Diamond’s  The Private Life of Sherlock Holmes.

Much of it is in the German language, but smart YouTube users know how to turn on the site’s automatic translating subtitles, which are rough but helpful. The translated title is “Billy Wilder: Report on a Hollywood Director.”

Wilder talks at length in very clear German; on the set he speaks English. The BTS material is fascinating. One scene covered is the deleted ‘Upside Down Room’ mystery — we witness Wilder’s actors as they concentrate to figure out what the heck he wants.    There’s a lot of genuine, funny work interplay between Wilder, Robert Stephens, Colin Blakely, Tamara Toumanova, and Clive Revill. Plus some nice music on the set!

I.A.L. Diamond gets a lot of attention as well; it’s really fascinating. They work in Hollywood and in Berlin. Warm-ups and dance rehearsals pre-filming look great, as does the action on Wilder’s giant London street set designed by Alexander Trauner — rows of giant façades in a big field. Why this movie was cut, and why its long version was not preserved, is a major Hollywood crime.

 

Billy Wilder: Bericht über einen Hollywood-Regisseur
 

 


 

From correspondent Michael McQuarrie and the Internet Archive come six minutes of House Un-American Activites Committee testimony from none other than Walt Disney. This happened on October 30, 1947.

Disney does not look happy to be in Washington, but neither does he put on a performance, or act conspiratorial. The newsreel cameraman skips some talk about the studio but captures Disney’s explanations about pressure from labor organizers, or racketeers, or as Disney says, communists. He complains that he was smeared in various periodicals, for not ‘cooperating’ with the Reds.

Disney was a ‘friendly witness,’ treated with deference and courtesy and not pressured or harassed. This  Encyclopedia.com page carries a full transcript of Disney’s testimony. Disney does name two names of people he believes to be communists. His strongest statement is to contrast communists and fascists with what he calls ‘100 percent Americans.’

Thanks to Michael Draine for important corrections, and a link to a ‘real’ full transcript of Disney’s testimony.

 

Walt Disney Testifies to HUAC
 

Thanks for reading! — Glenn Erickson

Saturday September 6, 2025

Aw, Professor Rath has a girlfriend!  She actually treats him fairly decently, if you ask me.

Saraband for Dead Lovers 09/06/25

Powerhouse Indicator
Blu-ray

A striking digital Technicolor restoration brings Ealing Films’ unique costume romance to vivid life. The tragedy of Princess Sophie Dorothea has a fine cast: Stewart Granger, Françoise Rosay, Frederick Valk, Peter Bull, Anthony Quayle, Michael Gough, Megs Jenkins, Miles Malleson, Guy Rolfe — plus superb work from ‘the voice’ Joan Greenwood, and a performance by Flora Robson that betters anything she did in Hollywood. The artful production is even stronger: Douglas Slocombe’s cinematography is as creative as that in Powell & Pressburger’s pictures. On Blu-ray from Powerhouse Indicator.
09/06/25

They Died with their Boots On 09/06/25

The Warner Archive Collection
Blu-ray

Whoa!  We saw this endlessly as kids and pretty much set it aside in favor of later revisionist westerns of the 1950s. Raoul Walsh’s pseudobio of George Armstrong Custer is nevertheless a stunning, action-filled epic with humor, romance and a smashing star performance by Errol Flynn. Olivia de Havilland bounces back as the faithful wife, in a production that gives Flynn exactly what he needs to maximize his appeal. The staging of the action is still breathtaking, and the digital restoration makes it look like it was filmed yesterday. Also starring Arthur Kennedy and Anthony Quinn. On Blu-ray from The Warner Archive Collection.
09/06/25

CineSavant Column

Saturday September 6, 2025

 

Hello!

A nice announcement from MVD today, on behalf of Arrow Films: back in the early 1980s this notorious art/violence film helped put Abel Ferrara on the map. His grunge horror Driller Killer never did much for me — I remember Sherman Torgan of the New Beverly asking me to justify its existence — but the edgy thriller Ms. 45 had just the right combination of exploitation elements. And Zoë Tamerlis was a hot item for a spell. Larry Cohen starred her in a murder mystery.

Why does it work?  We’re not sure. It’s an opportunistic thriller sensationalizing faux Feminism and offering a side order of rape, with the image of New York streets as a lawless hell. Its ugly revenge pitch is more like  Death Wish than  Taxi Driver.

Ferrara’s film became a minor emblem-of-its-time, like Slava Tsukerman’s  Liquid Sky. The print at the New Beverly was a mess, and it didn’t look much better when shown on The “Z” Channel. There must have been prior video releases but this the first I’ve been aware of. And in 4K !  At least it’s in 35mm. Actually, the quality in the promo clips is almost too good.

We don’t mind plugging it, FYI:

 

MS 45 4K
 

 


 

We’ve been trying to pry more column stories from the archive of friend Bill Shaffer.  An impressive film sales brochure in his collection provided a great launch for a colorful CineSavant article back in 2021,  Where Were You in ’62, A.I.P.?   Bill’s childhood was spent in Kansas, where his father managed movie theaters, and enjoyed a national reputation as a promoter and salesman for new features.

That experience created a giant ‘Shaffer’ repository of movie pressbooks, posters, and other errata related to exhibition, which Bill sometimes taps for us. We’re trying to get him to tell the story of his dad winning a 1956 exhibitor’s contest, where he was flown a publicity event with a big star; the episode is reportedly documented with stills and trade paper articles.

I of course have tried reader patience with an article about my entire upbringing on Air Force bases and their terrific repertory movie system, in this older article (that needs to be updated). We’re letting Bill slip through with this minor but telling memory from 67 years ago, when very young kids could do things like play in their front yards, wander freely on their bicycles and (gasp) see movies by themselves.

The little story brings to life a newspaper clipping Bill recovered, from a Sunday in August 1958. It makes me think that I could map out my young moviegoing life by going through microfilm back in the San Bernardino Sun-Times. Bill can’t be too much older than I was … I could attend shows alone because I lived on a ‘safe’ air base, while he, because of the family trade, had the run of more than one movie house in his home town.

How many ’50s kids had this same experience, more or less?

My Curse of the Demon story…

On August 10th, 1958, I was heading to downtown Hutchinson, Kansas with my dad. I had full intentions of seeing the sequel to The Curse of Frankenstein at my beloved Strand Theatre – the downtown grind house where all of the great B- thru Z- movies played. It was opening that afternoon and I’m pretty sure that was the day I went to see it. The attached newspaper clipping is exactly what I remembered seeing that day. My Dad’s office was in the Fox Theater, several blocks away. He had to open it for the Sunday show. That means that I was likely way early for the target double bill I wanted to see.

Once showtime hit, I dashed down to the Strand, tread lightly over the carpet strewn with popcorn and plopped down into my seat to watch the co-feature which was to come on first: Curse of the Demon. Just five minutes in, the fiery demon from Hell as big as a house scared the pooey out of me and I dashed for the exit!  Once daylight hit me and I was out in the open air, I made a beeline back to the Fox.

It was a very short afternoon of horror in Hutchinson. I totally missed my chance to see The Revenge of Frankenstein in a theater. It’s still my favorite Hammer Frankenstein film. In the years since, both movies have become favorites, but this is a confession of a kid who was only six years old. I figured sitting in a dark theatre with a snorting, burning demon at my back or on screen was not going to be my afternoon activity!    – – Bill Shaffer

Well, no boasting here, because I also remember the feeling of panic in a movie theater, all by myself. I was a couple of years older, too, when I barely made it through  Caltiki the Immortal Monster, both thrilled and scared to death. Wow, this double bill played in Hutchinson for ‘4 Big Days.’ The newspaper ad that Bill found came off microfilm, which accounts for the scratches. It can be enlarged, of course, to catch the small print, the misspellings, etc.

But Hey, the Strand Theater is already promoting Peter Cushing as a star, so the ‘grind house’ gets our vote. Bill says that his accompanying snapshot of him standing in the Fox Theater lobby    was taken a couple of years later, when he was much bigger. I’ll do my best to get Bill to unearth more interesting items from his archives.

 

Thanks for reading! — Glenn Erickson

Tuesday September 2, 2025

So who decided that the original, essential female spirit must always be malevolent, demonic?

Invasion USA  + Rocket Attack U.S.A. 09/02/25

Film Masters
Blu-ray

This atom fear thriller grabbed audiences by the Conelrads. Albert Zugsmith spun Cold War hysteria into gold with this cheap but effective exploitation of nuclear war jitters. For once it really happens — ‘unnamed enemies’ overrun America with atom bombs, parachuting troops into cities even as the bombs fall. The absurd script sees excellent work from Peggie Castle & Dan O’Herlihy, with special guest victims Phyllis Coates, Noel Neill and William Schallert. Get ready for a full-on 50-megaton onslaught of vicious stock film footage. The paranoia is contagious: “Bombs Ay-Vey!”  Also included: the sub-awful 1960 stinker Rocket Attack U.S.A.. On Blu-ray from Film Masters.
09/02/25

Lost in Space   — 4K 09/02/25

Arrow Video
4K Ultra HD

Irwin Allen started a franchise with his 1965 TV show: there has even been a second TV series with Parker Posey as Dr. Smith. This very, very expensive 1998 space opera must be the result of millions of hours of digital labor, as the whole thing is a digital effect just as CGI wiped out conventional optical effects. It’s ‘Star Wars’ but for the whole family, get it?  The old formula comes back with a massive production and a stellar cast: William Hurt, Mimi Rogers, Heather Graham, Gary Oldman, Matt LeBlanc and Jared Harris. It’s a 2-hour audiovisual barrage, and slightly less violent than the average space extravaganza. On Blu-ray from Arrow Video.
09/02/25

CineSavant Column

Tuesday September 2, 2025

 

Hello!

First note …. written Sunday morning. FYI,  Trailers from Hell was working on an access issue — the page was being rejected by some virus protection software. CineSavant heard from readers we didn’t know we had, who were blocked from reading reviews, and maybe the whole TFH page. That will hopefully have been fixed by Tuesday morning. Please write in if your software continues to block the way / be blocked.

 


 

Courtesy of Michael McQuarrie, here’s something fun from back in the day, created by a pair of over-achieving film students. It’s a 40-minute music & dance comedy about junior high school called, cleverly, Junior High School. It provided a solid career launch for its makers David Wechter and Mike Nankin, whose work we enjoyed at UCLA.

The sweet little item was designed to counter negative images of school life. It’s also the source of the almost-forgotten phrase ‘itty bitty titty committee,’ which has had a workout in various later comedies. It is also the first screen work of actor-dancer-choreographer Paula Abdul. It’s said to be a new encoding.

 

Junior High School
 

Also: This is even more of a must-see for us fans of Sci-fi. Wechter and Nankin brought down the house in UCLA’s Melnitz Hall, flooring us with what may have been the funniest student film ever:  Gravity.  It’s a satirical, not-quite-safe-for-work takeoff of condescending educational-instructional films.

 

Gravity  (1976)
 

 

 


 

And we’ve got one more last-minute announcement to make …

Just in time for Halloween, Studiocanal will release on Blu-ray a classic chiller long in need of restoration, Ealing Studio’s 1945 ghost story omnibus Dead of Night.

Assembled by four fine directors — Alberto Cavalcanti, Charles Crichton, Basil Dearden and Robert Hamer — Dead of Night is the granddaddy of spooky horror tales. Several are minor masterpieces, and even the comic story is good. The framing story to introduce the tales is truly macabre. It’s also a paradoxical time puzzle, far more mind-bending than we’d expect.

The capper episode starring Michael Redgrave is an all-time classic of psychological possession. The big surprise is that its 15 minutes distill the entire premise of Alfred Hitchcock’s  Psycho.  No joke.

A new 4K restoration is very much desired. The older discs we’ve seen all share a so-so image and frustratingly degraded audio. We’re hoping the restoration fully revives Ealing’s delicate soundtrack … the creepy little noises plus the powerful music score by Georges Auric.

Dead of Night arrives October 20. Details on the extras are viewable at the Amazon UK preorder page:

 

 

Dead of Night  80th Anniversary Collector’s Edition
 

We’ll see if the present world trade disruption interferes with global commerce. The discs must flow!

 

 

Thanks for reading! — Glenn Erickson

Saturday August 30, 2025

Starring Robert Duvall, Bill Murray & Sissy Spacek, this bit of drollery always gets me.

7 Women 08/30/25

The Warner Archive Collection
Blu-ray

Now back in a dazzling remaster, John Ford’s final feature is a ‘problematic masterpiece.’ The director reaches back to the expressionist 1930s for a grim tale of a Christian mission outpost overrun by savage bandits. His cranky traditionalism in this case sides 100% with core feminist values, thanks to Anne Bancroft’s sterling performance as an outspoken, unapologetic doctor banished to a Chinese backwater. The daring, uncompromising result may not please religious zealots or minority advocates. It’s a must-see, both for Ford advocates and for fans of Bancroft. At present, there’s an appeal for a restoration of the film’s longer version. On Blu-ray from The Warner Archive Collection.
08/30/25

Out of the Clouds 08/30/25

Powerhouse Indicator
Blu-ray

Aviation buffs will see plenty to admire in Basil Dearden’s drama of events at London’s Heathrow Airport. The show comes off as a low-stress precursor to our Airport, back when the notion of routine air travel was a glamorous and romantic novelty. It also functions as an institutional advert for British aviation and good PR for the shrinking Empire. Film fans not impressed by the simple & sincere personalities depicted may be tickled by the score of actors we associate with Ealing comedies and Hammer horrors. Anthony Steele and Robert Beatty are tame male leads, but there’s plenty of charisma with James Robertson Justice, Eunice Gayson, Gordon Harker, Bernard Lee, Marie Lohr, Abraham Sofaer, Melissa Stribling, Sidney James, Megs Jenkins and Katie Johnson. On Blu-ray from Powerhouse Indicator.
08/30/25